Yvette Mimieux (born January 8, 1942) – American Actress
When I was a young boy, my regular babysitter – her name was Linda – had a great singing voice but a bad case of stage fright and she couldn’t manage a single note if anyone was watching her. So we’d sit in the kitchen, which was next to the basement stairs, while Linda went to the basement, put a record on the record player, turned the volume down low, and sang along. Linda’s favorite singer was Connie Francis and her favorite Connie Francis songs were “Who’s Sorry Now?” and “Where the Boys Are,” the theme from the 1960 movie of the same name. My babysitter could sing the hell out of them.
Linda would sometimes be wiping tears when she came back upstairs. Which made sense to my Midwestern parents and their friends in the kitchen: the songs Linda sang were sad. If she’d just finished “Where the Boys Are,” Linda would catch my eye and wink. The wink was because we had a secret and it was my reminder not to tell. But I also thought – in my child mind – that she winked at me because I knew the real reason Linda was crying. It had to do with Yvette Mimieux, an actress in the film Where the Boys Are (1960). Yvette Mimieux is 74 today.
Linda sat for me a lot and did things my parents would not have liked. She stole liquor from their liquor bottles, had a boyfriend over for a makeout session on the living room couch (while I watched with inchoate jealousy from the hall), and – on more than one occasion – took me to movies I was “too young” to see. All of which means, I guess, she was a bad babysitter – irresponsible, a terrible influence – but I thought she hung the moon. And I’d never have told on her even if she hadn’t bribed me with quarters, made me promise, winked. Linda’s secrets were safe with me.
One of the movies Linda shouldn’t have taken me to – and our “secret” – was Where the Boys Are, which tells the story of four Midwestern college girls who go to Fort Lauderdale for spring break in pursuit of romance, fun, and sun. It was a popular coming-of-age film for the babysitters of Laura’s generation and it was the movie – for good or ill, mostly ill – that cemented Florida as a spring-break destination for generations of college students to come. In addition to Mimieux, it starred Connie Francis, Paula Prentiss, and – in the lead role – Dolores Hart, a wonderful actress who quit movies soon after to become a Benedictine nun. I watched Where the Boys Are again not too long ago and it is a surprisingly good movie. Corny in spots, craven by the end, but well-acted, engaging, and daring for the time in its depiction of youthful sexual mores. My childhood memories of the movie were of young people who seemed only a little older than Linda doing a lot of drinking and kissing. I also remember Linda crying through some of the scenes with Melanie, the character played by Yvette Mimieux.
A quick plot summary. In the movie, back in college, there had been some brave talk – led by future nun Hart – about how young women (like the guys) should experiment with sex prior to marriage. The other three friends seem to agree, but the characters played by Connie Francis, Paula Prentiss, and even Hart return from Florida virgo intacto and it’s only Melanie who takes the bait. She sleeps with her slick Ivy League spring-break fling, truly believes they are madly in love, but finds out different when she goes to a party and is raped by one of his friends. Melanie/Mimieux ends up in the hospital after wandering into the road and being struck by a car. And her three friends come to rue the error of their thoughts. But all that sex talk – and some of the later scenes – pushed the 1960 envelope, which was still more Fifties than Sixties.
A brief bio. Yvette Mimieux was perfect in Where the Boys Are and quite good with Olivia de Havilland and opposite George Hamilton in Guy Green’s Light in the Piazza, but most film buffs will remember her as Rod Taylor’s Eloi love interest, Weena, in George Pal’s version of The Time Machine (1960). She starred or costarred in another ten or so studio films – mostly in the 1960s – followed by TV work and retirement at the age of 50 to concentrate on her successful business interests. Mimieux grew up in Hollywood and went to Hollywood High. Her first husband was the film director, Stanley Donen.
Linda stopped being my babysitter when I stopped needing one, but our families stayed friends and I would talk to her occasionally. The last time I remember seeing Linda was at her wedding, a few years later. She was five months pregnant and her father got drunk and refused to dance with her, an act for which I will never forgive him. That was also the last time I saw Linda wiping away tears.